“The storyboards are a good plan, but we were never really sticking to it. Ultimately, because Euphoria was so sophisticated in its movement-featuring endless whip pans, and sequences that track from one character, to another, to another-the DP engaged in prep, prior to most shooting days, alongside storyboard artist Peter Beck.
“So, I would say the camera movement is the glue in the show, that glues it together.” HBO “For camera movements, we really wanted it to have a certain energy that ties the different storylines together,” Rév reflects. Throughout the first season of Euphoria, camera movement is a design element that stands out. “I mean, it’s a lot of work for them, but they’re doing a great job.” Most of the time, it’s old school lighting, and a lot of big light boxes and special light rigs that our rigging crew is suffering with a lot,” the DP laughs. But I think it seems more like an LED-lit show than it is, really. “And, of course, we’re using the advantage of the SkyPanels, and LED lights. In the case of both day interiors and night exteriors, Rév turned to the same kinds of light sources, including “old school tungsten lights” and HMIs. But we try to stick to one defined color, and not be all over the place.” “Sometimes, it’s red sometimes, it’s blue. “Then, of course, you have party scenes and stuff, basic colors,” he adds. In night exteriors, by way of contrast, the DP would rely on elements including moonlight, a blue backlight, and yellow tinted streetlights. In lighting the show, day interiors would center on the ambient blue of the sky, and the warmness of the sun. “We use that in night scenes, as well as in day scenes.” HBO So, most of the time, we’re using primary colors, and I’m relying a lot on the orange-blue color contrast, which is a really basic one,” the cinematographer says. But we didn’t want it to go like rainbow colors, or with no real system in it. “It has to be colorful in a way, I think, to feel that elevation. In contemplating a color palette for the show, the pair wanted to keep things fairly simple.
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